MAKEUP Beck & Domi: Carissa Ferreri. What nobody knew, back in 2012, was that the “cool indie record” archetype was about to be tossed in the dustbin of the early 21st century. Lipa: Sam Lau. It is a sprawling, 20-track, 65-minute record of almost arrogantly varied sound: romantic orchestral rapture on “In Bloom,” piano balladry on “Me in 20 Years,” swagger and rage on “Virile,” classic girl-group swoon on “Cut Me,” a cavernous spoken-word setting on “Before You Go,” which features the voice of the actress Michaela Coel. She went from playing to crowds of 7,000 to livestreaming for a couple of hundred dollars and handling all the tech herself: sound, video, production, editing. La Doña has been a live performer since she took up trumpet in her family’s conjunto, playing regional Mexican music, at age 7. No. I didn’t think I was that talented.” Even two EPs and one critically acclaimed album later, he still felt displaced. Near the end of summer, as every day began to feel even more identical, I decided that I was no longer invested in the newness of morning. Life is about wonderful things and very difficult things. On his own in Los Angeles, with his parents and siblings now back in Ghana, he started letting other people hear him sing. In the early 1980s, Frisell began incorporating digital loops and other effects into his live and recorded playing and wound up crafting an entirely new role for the electric guitar in a jazz setting: creating atmospheres full of sparkling reverb, echoing harmonics, undulating whispers that sneak in from outside the band. Her debut album Listen Up! Then there are those for whom technical prowess seems almost like an impediment to creating music that speaks to large audiences. Yes, it did. People who want to make that some tagline for life — “Success doesn’t affect your happiness” and “Money isn’t everything” — I think those people were probably raised with money. Gibbs narrated his dedication to making it off the streets with aplomb, and his reputation quickly became one of unflinching authenticity. It’s in us, the melody and the words. Alex Sturrock; Getty Images (Glenn-Copeland). “I shouldn’t be complaining,” he told me, from the house in Brooklyn that he shares with his wife. I really appreciate that there were no words attached to it. By the time the two characters finally collide, we’re in the chorus. and What do I really want? Don’t we all. SAULT has managed to keep most details about itself hidden, beyond the identities of a few key collaborators, including the singer-songwriter Michael Kiwanuka, the producer Inflo and the vocalist Cleo Sol. Now it’s a year or more of ideas.”, He has played a few outdoor shows in front yards with his longtime collaborators Kenny Wollesen on drums and Tony Scherr on bass. But funny.” Still, they went out to a jam session that night and played together again. She suggests places they could go together but is met, the song implies, with stonewalling. It’s weird, but, wow, that’s my job.” All he had to do, as he raps on “Skinny Suge,” was “put down the crack, bet on myself.”. But at the same time, it offered us gifts. More than any other pop star in her cohort, Swift has always paid close attention to the conversation about her. It’s a maneuver Drake spent a decade perfecting: He is a master at co-opting trends. Mauricio Santana/Getty Images (Collier). Clubs often represent something sacred and secret, a place where people can come together in ways that are otherwise unprovided by society at large. When the curtain of “Our Joy (Mercedes)” opens, we find Jyoti weaving her private pain into the soft swing percussion, offering us a piece of her bench on a basement cafe’s stage. 104 talking about this. This became fully clear around the turn of this century, when his records skipped from improvised bluegrass to “The Intercontinentals” — which featured a band of Greek, Malian, American and Brazilian musicians — and then through to “Unspeakable,” a sample-based record made with the producer Hal Willner, a friend since 1980. In a cavernous year, I made my place of rest into a cavern. It takes me years to write about something. Musically, the blend of strings, electronic beats and lonely piano strongly evokes the two most recent National albums — probably because Dessner originally composed the track for his bandmate Matt Berninger to sing. Repetition has a purpose that most “American pop music misses,” La Doña says. One showed a typical good-looking young guy in his underwear. Most of the energy went toward trying the acrobatic choreography created for the song by Brian Esperon, a dancer in Guam, which included several high kicks and spins and a full-bodied dry-hump on the floor. To submit a letter to the editor for publication, write to, These Artists Got Us Through a Pandemic Year. An answer to Coltrane, only named after the tiny anthropomorphic tree-man from “Guardians of the Galaxy Vol. We’re not doing this. The guy and I didn’t work out. With real travel a distant prospect, the site showed views from other people’s windows, submitted by users around the world. Oh, my. I can only really write from my perspective. John Edmonds is an artist working in photography who lives and works in Brooklyn. Read More. The civil rights movement, starting with the Student Nonviolent Coordinating Committee, adopted it as an unofficial anthem, making it famous enough that President Johnson quoted its title in his 1965 call for the Voting Rights Act. “The whole idea was: Just because you can doesn’t mean you should. He is on the young side of jazz-elder-statesman status, but in the past four decades, no one else has taken the collaborative, improvisational spirit of that music to so many places. My first three tours, I was in a Prius that I bought when I was 18, going to Taco Bell every day and feeling kind of [expletive]. But a few years ago, he started visiting and soon began incorporating a sense of the country into his work. Within months, he was being wined and dined by labels. The album is improvisational, but it’s cozier and more melodic than most contemporary jazz. Only Aretha could turn a secular song and incorporate it into a gospel hymn.Aretha like most artists of her caliber was a perfectionist and didn't want the movie to be released while she was alive, but I'm glad that her family differed in her view. Warm-weather anthems score the juiciest parts of summer; but there were none of the usual parties last year, only protests. But like all his songs, it is also about music itself, a formal exercise that tests how many sounds and ideas one pop recording can bear. I’m going to just scoot over.” Then I never did it again. Every time I think about giving up, there are these people like John Lewis — we owe it to them to keep going and trying.”, Frisell appeared on at least nine albums in 2020, including his trio’s “Valentine,” records from Elvis Costello and Ron Miles and Laura Veirs, tributes to the music of T. Rex and the poetry of Allen Ginsberg and “Americana,” a collaboration with the Swiss harmonica player Grégoire Maret and the French pianist Romain Collin. I remember a great tenor player named Ron Washington. It’s just that Beck and DOMi are, at their core, jazz musicians; the thrill is hearing them improvise, listening in on the meeting of two extraordinary musical minds. Screen grab from YouTube (Sophie). “It’s dishonest to reject pleasure,” Sumney says. Drake narrated the emotional tenor of life in my 20s, but I am in my 30s now, and it feels harder to ignore the rapper’s faults — especially when those faults begin to extend to questionable interactions with adolescent actresses or a social media presence that seems more appropriate to those actresses (what is it with the constant duck lips?). “Let me rewind,” Sullivan warbles, her delivery wobbly and sludgy like a tape deck with a dying battery. There was the British singer Jessie Ware’s fourth album, “What’s Your Pleasure?”: It evoked peak-era disco’s mirror-ball largess, all for listeners whose idea of a “night out” had most likely been reduced to an extra trip to the grocery store. I’d love to inch closer to feeling good things and bad things more in the moment, but when I sit down to write, I just can’t be super emotionally activated. I’ve studied the video from the Los Angeles show, frame by frame, many times, trying to figure out what is even happening with their hands. The previous year, La Doña was one of 14 artists from around the world selected for the Foundry, the YouTube incubator that jump-started the careers of Rosalía, Dua Lipa and CHLOE x HALLE. But soon, each new gimmick starts to feel familiar. Drums stir accents on the two and four. He’d go, What would it be like to be this person? Oh, yeah. Tim Mosenfelder/Getty Images (Jyoti). It was Denver East High School, and its band threw him together with a wider group of kids, including the future Earth, Wind & Fire members Andrew Woolfolk, Philip Bailey and Larry Dunn. At first, he leaves open space to showcase DOMi’s genius. New Temple Missionary Baptist Church, Los Angeles, California, USA. The last verse of “Immaterial” ends with a vocal line that climbs higher and higher, teetering above the song’s bulk in a pose of triumph: Anyhow, anywhere, any place, anywhere, any one. Laura Snapes is deputy music editor of The Guardian. I broke up with my partner a week before California issued stay-at-home orders. “Americana” is the closest to a “typical” Frisell album, meaning it features not just his languid, layered playing but also his heart-tugging sense of emotional drama. “He’s going to change your whole thing when he plays.” When he mentioned that he would be performing at Erykah Badu’s birthday party, “I was like: ‘You know what? And yet her underdog image somehow persisted a little longer, especially after Pitchfork, the defining voice of turn-of-the-century musical hipsterdom, decided to review a full-album cover of “1989” by Ryan Adams and not the far more successful original. In a 2018 interview with Jezebel, Sophie compared pop songs to a roller-coaster ride — similar in duration, and designed to strap the listener in place as they undergo a journey of extreme tension and release. You got a little of your own medicine. No mortal has the stamina to withstand the grind of the beat and lyrics for more than a few listens. “They wanted something more traditional,” he says, “which is a common immigrant story, I think.” A lawyer or a neurosurgeon would have been nice — “like Ben Carson, but 20-years-ago Ben Carson, not this horrifying version. All Nominations from Henry Mancini, Stevie Wonder and Michael Jackson to Kanye West, Taylor Swift and Adele, explore the winners and biggest moments from each GRAMMY Awards telecast. It’s the sound of a Dance Dance Revolution machine in a room filled with the scent of buttered popcorn and artificial fruit flavor. The drums grow bolder. Haley Elizabeth Reinhart (born September 9, 1990) is an American singer, songwriter and voice actress from Wheeling, Illinois, a suburb of Chicago.She first rose to prominence after placing third in the tenth season of American Idol.In July 2011, Reinhart signed a recording deal with Interscope Records. It didn’t matter that I was white. That can be scary when someone has no boundaries, but I’ve met so many friends through it. There are also other celebrities in the building such as Clara Ward, and if you pay close attention, an enthusiastic Mick Jagger is sitting in the back.This movie is a reverence to a time when black America was no longer defining itself by white standards but firmly standing in its blackness. I woke them up and was like, “I’m really sorry but I totally wet the bed.” And they were like: “I’m tired. The person in the grocery store with headphones, spinning and dancing while picking items from the shelves. Events like “Studio 2054” should be the exception, but in the increasingly capital-desperate eyes of the music and events industries, they could end up being the rule — leaving artists with smaller platforms and tighter budgets few options when it comes to retaining visibility in a crowded market. Sumney: Solange Franklin. La Doña’s first EP, “Algo Nuevo,” dropped on March 12, 2020, the same day Disneyland announced it would shut down. You’ve spoken about the “Universal Broadcasting System,” your belief that art is transmitted to us by the universe. A troubled young Glaswegian woman dreams of becoming a Nashville country star. I keep this memory of gathering and remembering close lest last year’s Zoom-room homegoings and burials settle in its place and remake my body’s clock and calendar. There was a beanbag chair that he had for me to sit on, and he was like, “I’ve [expletive] so many people in that beanbag chair.” I hated all the comments that were like, “What did you expect from Marilyn Manson?” I expect the world. “Just try to be kind to yourself.” What does kindness to yourself look like? As “Kyoto” closes, Bridgers is belting, “I’m a liar.” Though you might think you heard, as I initially did, “I’m alive.” Then again, it’s never a mistake to hear life in Bridgers’s music, melancholy as it may be. It’s expensive. When she told me she was taking a comedy class — concerning. His only trick, as he explains it, is “trying to stay connected to this sense of wonder and amazement. It was a relief. It’s natural for me. “That’s Justin Bieber. It’s somewhat remarkable, then, that “Alfredo” — a 35-minute exhibition of lyrical flamethrowing that demands a one-gulp listen — is serving as an inflection point for the rapper. Drake’s strength has always been his versatility, a stylistic playfulness that could accommodate dancehall, Afropop, Houston trap and New Orleans bounce. Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts. “You can be more emotional if a key is in a different place,” he exulted. It’s an unabashedly pleasure-seeking sonic deluge that wears its artifice proudly: every sound polished, mixed and filtered until it gleams, the brightest and most stimulating version of itself. After being torn between many worlds, the blank slate of the unknown felt, to him, the most like an actual home. When Gibbs’s record label drops him, he returns to his hometown Gary, Ind., and sells drugs to keep his career afloat. I envied the ability to emotionally ascend, even briefly, to a better place than I found myself in. In a way, everything that has happened since has just been Sumney’s attempt to make sense of that moment, when his private self became public. “I love rock music! You don’t want to become dated. Read More. Read More. Store oplevelser i intime rammer ... helt tæt på ... Koncerter – comedy – teater – foredrag og meget mere. (“I didn’t have friends,” he says, “but everyone knew who I was.”) By junior year, he was back in the U.S., this time in the bleached-out Inland Empire outpost of Riverside, Calif. Now he was the weirdo African kid — “very nerdy, very skinny” — a grade ahead of his age group and completely out of touch with the last six years of American culture. Here is another “once upon a time” story: Long, long ago, indie bands once feared that if they didn’t zealously guard their territory, their styles would be subsumed and co-opted by the mainstream. It begins with a synthesizer wafting a gentle melodic line. In Baltimore, HARMONY closed with a song the group hasn’t recorded but Frisell has played often over the past few years. What I really needed was to check in with myself. “Our Joy (Mercedes),” from the 2020 album “Mama You Can Bet!” by the singer and producer Georgia Anne Muldrow, contains the magnitude of this year’s grief in water that we, freshly wounded, can tread. The lost, forbidden pleasures are all immortalized onscreen. Gonzales Photo/Alamy (Rundle). Her first book, “The Other Island,” is forthcoming from Riverhead. legend Teddy Pendergrass, complete with a hot-pink backdrop. “Hard Life” hinges on salvation — of the mind, of the body and of a movement. Sophie’s work helped define hyperpop, a playful genre that exulted in using the most garish, artificial and derided elements of pop as the raw material for artsy, rave-y innovation. These generational shifts are an old story: Dessner’s teaming up with Swift is no more scandalous, these days, than Elvis Presley’s gyrating hips. Instead he flits in and out of rap crews, record labels and musical eras. He led me through.”. “I’m healthy, I have my guitar. It’s sparkly, relentlessly melodic, infused with familiar reference points from funk, neo-soul, the left-field hip-hop of J. Dilla and Madlib, the electronic breaks of Aphex Twin and the loading-screen jingles of Nintendo — like playing Mario Kart while your roommate chops up Pharoah Sanders samples on his laptop. Celina Pereira is a Brazilian-American graphic designer and artist based in Los Angeles. He can sound like anyone — Aretha Franklin, Can, Kate Bush — and has described his music as “an amalgamation of soul, jazz, folk and experimental indie rock.” By 2017, when he released his debut album and moved from Los Angeles into the mountains outside Asheville, N.C., Sumney had even started to feel shackled by his own Next Big Thing status, exhausted by what he saw as a music world that was “trying to either imprint an identity on me or get me to claim one in order to sell me.” He’d shown that he could do just about anything, but what part of “anything” really belonged to him? The shyly charismatic, 21-year-old Koffee — born Mikayla Simpson, in Spanish Town, Jamaica — made her name on wholesome pleasures. In “Immaterial,” Sophie shows us what happens when that voice is set free from the body, allowing the top-line melody to plunge with impossible velocity through electronic trills and warps. Digital vocal effects have become mainstays of pop production, but they can only push so far before a star’s voice is no longer recognizable. The repetitive chant a sample from a classic Baltimore club track by Frank Ski. Almost by way of apology, she says, partly to us but mostly to Mercedes: “Sometimes I lose touch, get off track, disappear and just think on you; you’re joy, our joy.” The piano clops on, bluesy with a periodic Black church bang so we cannot fall too wistfully into the abyss. Well, it’s easy to romanticize people with depression or even romanticize yourself and think, The darkest parts of me are what make me an artist, when you don’t have to be abusive or depressed or addicted to make great art. “Hard Life,” from “Untitled (Black Is),” opens with a stiff, craggy drumbeat. That was cool. Then, in February, the singer Jazmine Sullivan’s EP “Heaux Tales” arrived. Beginning in 2013, with the release of noisy, witty, inscrutable singles like “Bipp,” “Elle” and “Lemonade,” which drew inspiration from the sonic properties of materials like metal, latex and soda pop, Sophie made a name for herself by challenging the bounds of listenability and danceability. There is a psychedelic prechorus and a buoyant R.&B. Bridgers floats in, singing the simple verse melody. A trumpet rings out atop chiming guitar and keyboard. This was 1963, ’64. She last wrote about independent pharmacies for the magazine’s Future of Work issue. Jeremy Gordon is a writer from Chicago whose work appears in The New York Times, Pitchfork, The Nation and other publications. "Amazing Grace" to this day stands as the bestselling gospel album of all time and her bestselling album.Director Sidney Pollack was hired to document this recording. Since Sumney self-released his first EP in 2014, he has seemed like an avatar of everything the culturally sensitive modern musician should be. The Obamas are fans; Rihanna reportedly tapped her to collaborate on a long-rumored reggae-inspired album. On the phone this February, La Doña told me how, in the early weeks of the pandemic, “we saw all the tech offices shut down, people leaving in droves.” The exodus seemed to play out the vision of cosmic justice she had articulated in another song from “Algo Nuevo,” “Cuando Se Van”: “Sueño con terremotos/la ciudad pa’ nosotros.” Maybe the disaster would chase out the opportunists, las ratas que quieren comer nuestro pan. A day as dark at its opening as it was at its closing. Then a couple of years ago my brother said, “I definitely prefer fire, so I don’t know why you said that.” [Laughs.] This is no insult: His eloquent, often hilarious musical exegeses are more fun than most people’s music, one of the more intellectually gratifying ways I know to kill time online. Out through my hands and out of my mouth came something, and that was it. 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