I think once was enough though. We let you watch movies online without having to register or … There can be seen a few little touches of Leone's 'Once Upon a Time in the West' (the first scene of Ben Johnson waiting at the train station), Siegel's 'Two Mules for Sister Sara' (a sister Sara-type treatment of the female character) or Hill's 'Butch Cassidy & the Sundance Kid' (the pursuing gang of riders). There is a scene toward the end of the film where Mrs. Lowe makes an overture to Lane which he reluctantly rejects. There is not even a railroad crossing sign. What did everyone else do? Apart from Wayne, there are no actors left who can get away with being decent Western heroes. It’s too bad that the scale of the plot is a little too small for the scale of the characters, and too bad that Kennedy got in an ironic mood at the end. The secondary supporting actors are miscast as well. Ben Johnson and Rod Taylor play two of the side kicks and are very good in their supporting roles. It's in Mexico, a four day ride according to her. As for Burt Kennedy I feel he delivered a movie even Howard Hawks would have liked to claim as his own. ", Typical John Wayne movie with an attractive couple as Anne Margret and gorgeous landscapes, Wayne & Ann-Margret: Long chase in the Mexican desert for $500,000 million in gold, This old John Wayne Classic is just so fun to watch, "Gold has a way of bringing out the larceny in all of us, Mrs. This is another pretty good John Wayne movie. After most of them were released from prison in 1976, they sold it to an English publisher. I have never seen a John Wayne movie that I didn't enjoy, although some of the very early stuff was a little hammy. But what’s best about it, what makes it worth seeing, is Kennedy’s visual approach to the subject of John Wayne. This book is somehow the "official" version of the Great Train Robbers. The status quo for Lane John Wayne's character is changed by the presence of the woman. It stars John Wayne, Ann-Margret, Rod Taylor, Ben Johnson, Christopher George, Bobby Vinton, Jerry Gatlin and Ricardo Montalban. A gunhand named Lane is hired by a widow, Mrs. Lowe, to find gold stolen by her husband so that she may return it and start fresh. Ricardo Montalban adds just the right amount of suspense throughout the film and Jerry Gatlin did great work in front of and behind the camera. Kennedy goes for silhouettes and, as I’ve mentioned, for the kind of carefully casual arrangements of figures we find in samurai films - the Japanese Western. Kennedy, Wayne and the rest of the group have obviously settled to make a fine basic western romp, not a new-styled masterpiece, and have reached the goal with very satisfying results. She wants to return the gold to the railroad it was stolen from, to clear her husband’s name and allow her young son to grow up proud. There are other considerable assets to this project. I wonder if there’s ever been a Western as visually uncluttered as this one. The vicious surrealism of the spaghetti western had essentially overwhelmed the clichés of Hollywood. The simple yarn of Ann-Margret hiring John Wayne and his crew of Ben Johnson, Rod Taylor,Christopher George, Jerry Gatlin and Bobby Vinton to recover half a million dollars in stolen gold is very simple in it's directness. They would be better suited for urban settings. Rod Taylor as a cowboy? They are are gunmen who just stay on the right side of the law. Dominic Frontiere's score is a rouser. Here Ann-Margret takes the gold and as she is leaving on the train the guys learn she is just a hooker and is stealing the loot. The opening of the film and the first fifteen minutes contain no score at all. THE TRAIN ROBBERS is another solid John Wayne adventure, not one of his best stories but certainly watchable enough. So off our intrepid group goes to Mexico. Popular Subtitles. Most likely the reasons audiences largely ignored it at the time were that westerns (at least "standard" westerns without an interesting edge) were on the way out, and that John Wayne's box office draw power was weakening. Burt Kennedy also plays with his audience. Meanwhile, lurking on the fringes of the action is an enigmatic but elegantly-attired, cigar-smoking hombre who never loses sight of them. However, John Wayne felt that … Burt Kennedy does not oblige. However, very few fans might have noticed that he does not say a word until nearly ninety minutes into the film. Not a great western, but a lot of fun with an ending left to your imagination and without any doubt! No, because Wayne hears a baby crying. Lowe.". As it is, it comes across as cardboard people filmed in front of some fairly stunning scenery, on horseback, travelling right to left for the first part of the picture and then left to right later on for the home stretch. Most reviews were favorable. Episode one, A Robber's Tale details the organisation of and successful completion of the robbery. John Wayne and voluptuous Ann-Margret co-star in writer & director Burt Kennedy's "The Train Robbers," a rambunctious western shoot'em up about a notorious outlaw's widow who hires the Duke to recover a half-a-million in stolen gold from her husband's last hold-up. Am I making this up? This book is somehow the "official" version of the Great Train Robbers. Rod Taylor finally gets to work with Wayne and he doesn't disappoint. I watched it yesterday, once more. This seems like a sensible plan to Wayne, and he raises a band of friends (Ben Johnson, Rod Taylor, and two younger guns) to help the widow. Mrs. Lowe (Ann Margret) is the widow who enlists the help of Lane (John Wayne) in finding a gold shipment that had been stolen five years agoÂ. Well, neither did I, and I’m not about to start now. I didn't simply declare this fact. I remember when this movie first came out. I was in college when I first saw THE TRAIN ROBBERS. Sure there were some poorly delivered lines, a few times you had to suspend your disbelief, but there were moments like Ben Johnson reprising his Oscar winning scene from The Last Picture Show and the Duke talking about the age of his saddle which had a double meaning. WATCH “The Last Vermeer [480p]” Full Online (2021) Free [hd — STREAM] Im Youj. "The Train Robbers" was a box office disappointment when released to theaters in 1973. Usually the white hat hero rides off into the sunset with the pretty lady by his side, but this one served up what could have been a set up for a sequel. Two brief scenes take place in the square that is used for the final shootout in Butch Cassidy and the Sundance Kid. Most of the action takes place in the high desert around Durango, Mexico, and Kennedy goes for clean blue skies, sculpted white sand dunes and human figures arranged against the landscape in compositions so tasteful we’re reminded of samurai dramas. And it is here that Burt Kennedy’s visual strategy comes in. She says she wants to return the gold to clear her husbands name. There is a lot of killing and explosions and they get the gold home. The group embarks on a somewhat treacherous, if not epic, journey to their destination, sometimes fighting amongst themselves along the way. Only Wayne can make plausible the morality in his Westerns. Burt Kennedy’s “The Train Robbers” is a very curious Western, and it gets curiouser the more you think about it. Easily the most relaxed Wayne western you'll ever see, Burt Kennedy's The Train Robbers is neither boring nor dull, just the cinematic equivalent of some comfort food that makes you happy and contented. When Duke introduces Mrs. Lowe (Ann-Margret) to the rugged band of cowpokes you wonder if they're still interested in the gold. Jan 26, 2013 - Directed by Burt Kennedy. Ann-Margret has hired John Wayne and company to find some stolen gold that her husband along with other outlaws had robbed. He is perhaps the only Western actor alive (maybe the only one ever) who can get away with scenes like this one: His group has been riding through the desert all day, pursued by a mysterious band of gunmen. I wonder if there’s ever been a Western as visually uncluttered as this one. Of course Christopher George fits in perfectly with the script as does crooner Bobby Vinton who is no stranger to Duke's westerns. But the publishers needed some "new facts" to boost the books sale. All of a sudden we have an expansive score on the par with Alfred Newman's HOW THE WEST WAS WON or Jerome Moross's THE BIG COUNTRY. But he understands John Wayne, all right. 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