Mrs. Boyle: Well, there’s one thing to be said for him — he couldn’t have been thinkin’ of the money, or he wouldn’t ha’ left you — it must ha’ been somethin’ else. Jerry enters, looking hopeful. Puttin’ aside all formularies, I suppose you remember me lendin’ you some time ago three pouns that I raised on blankets an’ furniture in me uncle’s? Johnny: (throwing himself on the bed). GradeSaver, 26 March 2015 Web. Mary: Oh, it’s thrue, it’s thrue what Jerry Devine says — there isn’t a God, there isn’t a God; if there was He wouldn’t let these things happen! They toul’ me that the oul’ cock himself had the stairs worn away comin’ up afther it, an’ they black in the face tellin’ him he’d get nothin’. Mrs. Boyle: No — it’s not consumption — it’s worse. First Man: We can’t wait any longer for t’oul’ fella — sorry, Miss, but we have to live as well as th’ nex’ man. Juno and the Paycock, a … An’ it’ll be bellows’d all over th’ disthrict before you could say Jack Robinson; an’ whenever I’m seen they’ll whisper, “That’s th’ father of Mary Boyle that had th’ kid be th’ swank she used to go with; d’ye know, d’ye know?” To be sure they’ll know — more about it than I will meself! Suddenly catching his thigh U-ugh, I’m afther gettin’ a terrible twinge in me right leg! [She goes off with the gramophone. Mrs. Madigan: (going to the door, and shouting down). Every available spot is ornamented with huge vases filled with artificial flowers. Jacky Boyle, Esquire, infernal rogue an’ damned liar. He says he feels a pain in his breast, as if he were getting hit by a bullet. Joxer: Breathes there a man with soul — so — de…ad — this — me — o…wn, me nat…ive l…an’! Second Irregular: Come on, Sean Boyle, you’re wanted; some of us have a word to say to you. Mary: Let us say no more, Jerry; I don’t blame you for thinkin’ it’s terrible — I suppose it is — Everybody’ll think the same — it’s only as I expected — your humanity is just as narrow as the humanity of the others. Jerry: (passionately). The act opens with Juno Boyle and her daughter Mary discussing the murder of their neighbor Mrs. Tancred ’s son, written up in the morning newspaper. [He turns to go, and halts at the door.] Study Questions, Activities, and Resources, 172. Explanatory Notes to Juno and the Paycock, 151. Boyle: (at door, about to go out). Boyle: Are you goin’ to lecture me now? Mrs. Boyle: (hurt). (73.). Some way or another that the Will is writ he won’t be entitled to get as much as a make! Boyle says that isn't possible, and that she'll have to wait. To be sure, Mrs. Madigan — an oul’ friend’s always welcome. Juno works while the Captain loafs around the flat when not drinking up the family's … After the tragic event, Juno stands beneath the picture as she invokes the Virgin, a compelling juxtaposition of mothers who have lost their sons which may suggest Juno's own godliness. Mary: I never said to him what I shouldn’t say, I’m sure of that. Every available spot is ornamented with huge vases filled with artificial flowers. Go an’ get Bentham if you want satisfaction for all that’s afther happenin’ us. (57; a quote from Robert Burns.) Joxer: (stretching himself on the bed). Context. Hello! [There is a pause; then a sound of shuffling steps on the stairs outside. Well, we’ll have to get her into some place ower this, there’s no one here to mind her. Johnny, who should have been considered a hero for his role in the Easter Rebellion, again reveals his cowardice as he is taken away. Oh, this is unbearable! Mrs. Boyle: That’s what has you as you are — you can’t bear to be spoken to. This one-page guide includes a plot summary and brief analysis of Juno and the Paycocke by Seán O’Casey. 10. – Captain Boyle, Act I 24. Juno and the Paycock is the second of three O’Casey plays in what is known as the “Dublin trilogy,” set in the tumultuous years of 1916-1923. During Act III the lights will be lowered to denote a lapse of one hour . — I suppose you told him everything — couldn’t you have waited for a few days? Nugent tells Joxer how he went to the lawyer's office and found out that Boyle will be getting no money, due to the way the will was written. Summary & Analysis Act 2 11. Joxer: She must ha’ heard some rumour or other that you weren’t goin’ to get th’ money. Bentham ceases all contact with Mary one day, vanishing mysteriously. Jerry: Mary, I want to speak to you for a few moments, may I? You’re not the one girl of a month ago — you look like one pinin’ away. An’ I notice that that Bentham fella doesn’t be comin’ here now — there must be somethin’ on the mat there too. He has just one coin left and drunkenly wonders where the chairs have gone. Well, what is it? Mary: Yes, Jerry, as you say, I have fallen as low as that. Mrs. Boyle: I’m goin’ now; come on, Mary. [Mrs. Boyle puts a shawl around her, as Mary enters.] We’ll want all the help we can get from God an’ His Blessed Mother now! Nugent: What do I care what you dhress yourself in! [The votive light flickers for a moment, and goes out.] Boyle: Who says I’m not goin’ to get th’ money? Boyle: Ey, houl’ on, there; houl’ on, there! Mary! (He sits down.) Act 1 is set in a two bedroom tenancy in a tenement house in Dublin. Mrs. Boyle: Oh, it’s thrue, then; it’s Johnny, it’s me son, me own son! Jerry: Your mother has told me everything, Mary, and I have come to you — I have come to tell you, Mary, that my love for you is greater and deeper than ever…     Mary: (with a sob). Nugent rushes into the room, and returns with suit on his arm; he pauses at the door.] Gimme me money, y’oul’ reprobate, or I’ll shake the worth of it out of you! Is he gone? Johnny: I’m an oul’ comrade — yous wouldn’t shoot an oul’ comrade. Johnny: I’m afther feelin’ a pain in me breast, like the tearin’ by of a bullet! 10. Study Questions, Activities, and Resources, 60. Study Questions, Activities, and Resources, 156. Study Questions, Activities, and Resources, 115. [Mary remains silent; Johnny goes slowly into room on left.] [They all go slowly out. Surely to God, Mary, you don’t mean that — that — that…     Mary: Now you know all, Jerry; now you know all! Boyle: (looking round for bottle of stout, with an exclamation). Blessed Virgin, where were you when me darlin’ son was riddled with bullets, when me darlin’ son was riddled with bullets? Learn 9. What paper is it you want — the Messenger? Mrs. Boyle: Close that door there and sit down here. Are you sure you said nothin’ to him? It turns out that she is carrying his child. Mary: Yes. Johnny: Is mother back from the doctor yet, with Mary? Mrs. Boyle: I’ll not wait another minute; I don’t like the look of you at all — I’m afraid we made a mistake in throwin’ over poor Jerry — He’d have been betther for you than that Bentham. Mrs. Boyle: He told me to get her married at wanst. Boyle asks for some stout (a type of beer), liniment, and a newspaper, and Juno places a second bottle of stout on the table. When he learns that she is pregnant, however, he expresses his pity and leaves. It is about half-past six on a November evening; a bright fire burns in the grate; Mary, dressed to go out, is sitting on a chair by the fire, leaning forward, her hands under her chin, her elbows on her knees. Mrs. Boyle: But, Jack, when we get the money…     Boyle: Money — what money? The play has been praised for O’Casey’s realistic representation of idiomatic Dublin speech, rich literary allusions, characterization, social conscience, and blend of comedy and tragedy. Characters Description 13. "Juno and the Paycock Act III Summary and Analysis". I hope I’m not disturbin’ you in any discussion on your forthcomin’ legacy — if I may use the word — an’ that you’ll let me have a barny for a minute or two with you, Mr. Boyle. [Mrs. Boyle opens the door. Did he hear anythin’, I wondher? Mrs. Boyle: Whisht, is that something? Mrs. Boyle: I left her in me sister’s till I came to speak to you. Boyle: Six pouns — six an’ seven is thirteen — that’ll be thirteen pouns I’ll owe you. Mrs. Boyle: We’ll all have to mind her now. Juno has dubbed her husband "the Paycock" because she thinks him as useful and vain as a peacock. Boyle: Goin’ to have a baby! Joxer: You never twisted yourself — no, you wouldn’t know how! [Joxer slips the bottle of stout that is on the table into his pocket. Boyle: Gwan, take her part agen her father! Joxer: I wouldn’t ha’ believed it, only I seen it with me own two eyes. [1] A nice way you were in last night — carried in in a frog’s march, dead to the world. It’s a wondher you’re not ashamed to show your face here, afther what has happened. Study Questions, Activities, and Resources, 28. How the hell do I know what he done it for? Chains — an’ — slaveree — that’s a darlin’ motto — a daaarlin’ — motto! Mrs. Boyle: Sorra mend you! Jerry: Impossible? Nugent: I just called over to see if you could let me have anything off the suit? Joxer: What’s up, Jack? Jerry: My God, Mary, have you fallen as low as that? Mrs. Madigan: Well, ever since I shoved in the blankets I’ve been perishing with th’ cowld, an’ I’ve decided, if I’ll be too hot in th’ next’ world aself, I’m not goin’ to be too cowld in this wan; an’ consequently, I want me three pouns, if you please. As far as I can see, the Polis as Polis, in this city, is Null an’ Void! This work (Juno and the Paycock: ACT III by Sean O'Casey) is free of known copyright restrictions. In the slums of Dublin during the Irish Civil War, Captain Boyle (Edward Chapman) lives in a two-room tenement flat with his wife Juno (Sara Allgood) and their two adult children Mary (Kathleen O'Regan) and Johnny (John Laurie). It tells the story of the Boyle family: Jack Boyle, a self-centered man who spends his time drinking with his pal Joxer rather than looking for work; his wife Juno, responsible and hard-working, who takes care of the family; their son Johnny, who lost an arm in the Easter Rising and spends his days fearfully at home; and their … Money after all through enough without havin ’ to do ; there mus ’ be somethin ’ behin ’.! — even for a moment, and Resources, 162 having left to escape his troubles drink. Discuss Bentham, who complains of pains in his pocket mother — at least nothing that possibly! 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